On Our Shelves Now
This collection of bold and scathingly beautiful feminist poems imagines what comes after our current age of environmental destruction, racism, sexism, and divisive politics.
Informed by Brenda Shaughnessy's craft as a poet and her worst fears as a mother, the poems in The Octopus Museum blaze forth from her pen: in these pages, we see that what was once a generalized fear for our children (car accidents, falling from a tree) is now hyper-reasonable, specific, and multiple: school shootings, nuclear attack, loss of health care, a polluted planet. As Shaughnessy conjures our potential future, she movingly (and often with humor) envisions an age where cephalopods might rule over humankind, a fate she suggests we may just deserve after destroying their oceans. These heartbreaking, terrified poems are the battle cry of a woman who is fighting for the survival of the world she loves, and a stirring exhibition of who we are as a civilization.
About the Author
BRENDA SHAUGHNESSY was born in Okinawa and raised in Southern California. She is the author of four previous poetry collections, including So Much Synth, Human Dark with Sugar--winner of the James Laughlin Award and finalist for the National Book Critics Circle Award--and Our Andromeda, which was a New York Times Notable Book in 2013. A former Guggenheim fellow, she is an associate professor of English at Rutgers University, Newark. She lives in New Jersey.
Praise for The Octopus Museum
"Like octopuses, Shaughnessy's poems manage to be both fleshy and cerebral, concerned with a self that breathes through fragile skin. She offers up these beautiful innards through her words; they twist agony into acceptance only to return and be picked apart again, a recognizable cycle of motherhood and womanhood—humanhood, depending on your definition." —Nikki Shaner-Bradford, The Paris Review
"An immersive tour of social and ecological calamities, as well as an elegy for the present." —Matthew Johnstone, BookPage
"A highly original look at the world as it is today and the dangers we seem intent on inflicting upon ourselves . . . Shaughnessy writes startling poems that are both intellectually wide-ranging and emotionally riveting." —Ginny Lowe Connors, New York Journal of Books
"Musical, expressive lines that triumph in their complexity and grace . . . With an unparalleled ear for language, Shaughnessy excels at making the tragic transcendent." —Publishers Weekly (starred review)
"A breakthrough book . . . Ambitious in concept and structure." —Nick Ripatrazone, The Millions